Limitiert auf 1000 Stück, 4,3 Kg, 840 Seiten, 24 x 28 x 6 cm, Englisch und Italienisch The idea for this project came about several years ago, in the late 1990s, triggered by a passionate devotion for this forgotten world. The ini-tial plan was to cover only the present groups that perform rock´n´roll, beat and the western sound but soon the urge to go back in time super-seded the first intention and so the search was widened to the postwar years. Hence I came across musicians like Paolo Tomelleri, Bruno De Filippi, Gerry Bruno, Raf Montrasio, and from there on it was just like working on an assembly line that led me to many more-or-less known artists who at the time were the delight of nightclub patrons. This is the fruit of that widened search, the aim being the re-discovery of the magic early Sixties through the costumes, instruments, and the artists´ personal history. I have included a substantial discography (never compiled befo-re), along with a filmography, a handy bibliography, and a small selection of letters written by the musicians themselves. This project was also conceived as a fitting, long overdue tribute to all those musicians who have backed many famous artists without any credits at all, who were eclipsed by the leading artist but who all the same were crucial for the latter´s success. Just think of Marino Marini´s band, newcomer Mina´s, Fred Buscaglione´s Asternovas, Piero Giorgetti´s, Riz Samaritano´s, Henghel Gualdi´s musicians and plenty others. The journey doesn´t stop here, just as the music didn´t stop in 1964. The second leg will take us directly in the midst of the Beat era. A third volume, focusing on the Italian revival from the early Eighties to the present day, will hopefully bring our trip to an end. Note: I couldn´t fully complete this music period for want of information regarding many a group. Information and material not included in these volumes are most welcome. In order to complete the second volume in this series, I would like to encourage all those who have a history with a band or bands between 1963 and 1970 to get in touch and share their photographs or other material which could be appropriate for publication. For my personal archive, I am also interested in photos, postcards, discs and other material related to groups from the `50s and `60s to set up a music archive that may facilitate research for other books in the future. These volumes could become a valuable starting point for educational studies, historical research and exhibitions that may well serve as a means to rediscover the golden age of nightclubs, when the music was performed live and the orchestras were a major attraction for young people. Maurizio Maiotti L´idea di realizzare questo volume nasce diversi anni fa, verso la fine degli anni ´90, spinta dalla grande passione per questo mondo dimenticato. L´inizio del progetto era legato solo ai gruppi attuali che proponevano rock´n´roll, beat e il western sound. Ma ben presto lo stimolo di andare indietro nel tempo sovrasta la prima intenzione e così le ricerche si allargano fino a tornare nel lontano dopoguer-ra. Sono così entrato in contatto con alcuni musicisti tra cui Paolo Tomelleri, Bruno De Filippi, Gerry Bruno e Raf Montrasio e da qui è stata come una catena di montaggio che mi ha portato a conoscere numerosi altri artisti oggi più o meno noti che all´epoca dilettava-no il pubblico sul palco di night famosi. Pertanto il lavoro si è allargato e questo ne è il risultato. Ho voluto farvi così scoprire la magia dei primi anni 60 attraverso i costumi, gli strumenti e la storia dei musicisti. Ho voluto presentavi una discografia corposa, una traccia importante fino ad oggi mai proposta, accompagnata da una filmografia, una bibliografia utile e una piccola sezione di lettere scritte dai musicisti stessi. L´intento di questo lavoro è anche quello di dare finalmente merito a coloro che hanno accompagnato tanti artisti famo-si senza però ottenere grandi riconoscimenti, musicisti oscurati dalla figura del proprio cantante ma pur sempre importanti ed essenziali per il successo di quest´ultimo. Parliamo ad esempio del complesso di Marino Marini, quello della esordiente Mina, gli Asternovas di Fred Buscaglione, i musicisti di Piero Giorgetti, di Riz Samaritano, di Henghel Gualdi e tanti altri. Ma il percorso non si ferma qui, la musica non si è fermata nel 1964 e quindi il cammino prosegue e vi do appuntamento col secondo volume che ci porterà in piena era beat. Nel
This textbook provides both profound technological knowledge and a comprehensive treatment of essential topics in music processing and music information retrieval. Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, computer science, multimedia, and musicology. The book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform-concepts that are then used throughout the book. In the subsequent chapters, concrete music processing tasks serve as a starting point. Each of these chapters is organized in a similar fashion and starts with a general description of the music processing scenario at hand before integrating it into a wider context. It then discusses-in a mathematically rigorous way-important techniques and algorithms that are generally applicable to a wide range of analysis, classification, and retrieval problems. At the same time, the techniques are directly applied to a specific music processing task. By mixing theory and practice, the book´s goal is to offer detailed technological insights as well as a deep understanding of music processing applications. Each chapter ends with a section that includes links to the research literature, suggestions for further reading, a list of references, and exercises. The chapters are organized in a modular fashion, thus offering lecturers and readers many ways to choose, rearrange or supplement the material. Accordingly, selected chapters or individual sections can easily be integrated into courses on general multimedia, information science, signal processing, music informatics, or the digital humanities.
DescriptionThe Best Of Bob Dylan Eighteen of the best Bob Dylan songs, arranged for Piano, Voice and Guitar. SonglistAll Along The WatchtowerBlowin´ In The WindDon´t Think TwiceEverything Is BrokenForever YoungGotta Serve SomebodyI Shall Be ReleasedIf Not For YouIt´s AlrightJokermanJust Like A WomanKnockin´ On Heaven´s DoorLay Lady LayLike A Rolling StoneMr Tambourine ManOh SisterShelter From The StormTangled Up In BlueThe Times They Are A Changing
DescriptionThe very best of Bob Dylan in piano, vocal, guitar arrangements. Includes ´All Along the Watchower´, ´Knockin´ On Heaven´s Door´ and ´Lay, Lady Lay´.SonglistA Hard Rain´s Gonna FallAbsolutely Sweet MarieAll Along The WatchtowerAll I Really Want To DoBlowin´ In The WindDon´t Think Twice, It´s AlrightGotta Serve SomebodyI Shall Be ReleasedI Want YouIf Not For YouI´ll Be Your Baby TonightIt Ain´t Me BabeJust Like A WomanKnockin´ On Heaven´s DoorLadyLayLike A Rolling StoneMaggies FarmMasters Of WarMr Tambourine ManPolitical WorldQuinn The Eskimo (The Mighty Quinn)Rainy Day Women #12 & 35Sad Eyed Lady Of The LowlandsStuck Inside Of Mobile With The Memphis Blues AgainSubterranean Homesick BluesTangled Up In BlueThe Times They Are A ChangingThe Times They Are A-changin´Tonight I´ll Be Staying Here With YouWhen I Paint My Masterpiece
30 classiques de Bob Dylan arrangés pour harmonica (notations standards et tablatures). Sélection et arrangements de Stephen Jennings. Le 24 premiers titres sont pour harmonica diatonique et les 6 derniers pour harmonica chromatique.Titres :All Along The WatchtowerBlowin´ In The WindGotta Serve SomebodyIdiot WindShelter From The StormShenandoahShot Of LoveSad Eyed Lady Of The LowlandsI Want YouIs Your Love In Vain?If Not For YouSomething There Is About YouStuck Inside Of Mobile With The Memphis Blues AgainI Shall Be ReleasedSimple Twist Of FateBrownsville GirlLay,Lady, LayJokermanknockin´ On Heaven´s DoorHurricaneTangled Up In BlueSaraJust Like A WomanQuinn The EskimoEverything Is BrokenI´ll Be Your Baby TonightIn The GardenRainy Day Women Nos 12 & 35SilvioUnder Your Spell.
Un résumé des plus grands classiques de la guitare au monde - une histoire de la musique pour guitare classique avec des oeuvres allant du XIVème siècle à aujourd´hui.Titres :Allegretto (Carcassi)Allegro (Wolfgang Amadeus Mozart)Almain (Cutting)Alman (Robert Johnson)Andante (Sor)Andante In A Minor (Sor)Andante In B Minor (Sor)Andantino (Sor)Andantino In E Minor (Sor)Aria (Johann Sebastian Bach)Canarios (Sanz)Cancion Del Emperador (Narvaez)Caprice (Arcassi)DanzaDove Son Quei Fieri OcchiDreweries AccordesEspanoleta (Sanz)Estudio (Tarrega)Etude No 2 (Carcassi)Etude No 3 (Carcassi)Etude No 7 (Carcassi)Fantasia (Mudarra)Fantasia (Weiss)Fantasia (John Dowland)GaglairdaGrand Overture (Giluliani)Grand Solo Op. 14 (Sor)GreensleevesGuardame Las Vacas (Narvaez)Hie Folget Ein Welscher Tantze Wascha Mesa (Neusidler)Hit And Take It (Johnson)I Serve A Worthy LadyJesu, Joy Of Man´s Desiring (Cantata BWV 147) (Johann Sebastian Bach)Kemp´s JigLa RossignolLagrima (Tarrega)Large And Rondo (Carulli)Leyenda (Isaac Albeniz)Maria Gavotta (Tarrega)Menuet (Carcassi)Menuett (Kreiger)Minuet (Blavet)Minuet (Visee)Minuet Op. 22 (Sor)Moderato (Carcassi)Musette (Bach)My Lord Willoughby´s Welcome Home (John Dowland)Passacaille (Visee)Passcaille (Visee)Pavana (Sanz)Pavana 1 (Milan)Pavana 2 (Milan)Pavana 3 (Milan)Pezzo TedescoPrelude (Johann Sebastian Bach)Prelude No 13 (Tarrega)Prelude No. 1 (Tarrega)Queen Elizabeths Galliard (Dowland)RomanceRondeau (Giliani)Rondo (Fernando Sor)Rosita (Tarrega)Rujero (Sanz)Rumores De La Caleta Op.71 No.6 (Isaac Albeniz)SaltarelloSarabande for a sandwichSe Io M´accorgo Be Mio D´un Altro AmanteSevilla (Isaac Albeniz)Sonata 238 (Scarlatti)Sonata 483 (Scarlatti)Sonnet (Valdderrabano)Sontana In C Major (Fernando Sor)Study (Giuliani)Study (Fernando Sor)Study In E Mnor (Giuliani)Study No. 1 (Fernando Sor)Study No. 2 (Fernando Sor)Study No. 3 (Fernando Sor)Study No. 5 (Fernando Sor)Study No. 6 (Sor)Study No. 8 (Sor)Study No. 9 (Sor)Suite (Bach)Tanz (Fuhrmann)Tarleton´s Resurrection (John Dowland)The Round Battle Galliard (John Dowland)Theme Op. 102 (Giuliani)Tombeau Sur La Mort De M.Comte De Logy (Weiss)Troisieme MazurkaVariations On A Theme Of Mozart (Sor)Vivace And Largo Poco Andante (Sonata In E Minor Op.3 No.3) (Michel Blavet)Volte
Music Plus! was written to provide the student with great music that is enjoyable, accessible, and that sounds reasonably complete in two voices. It is playable in like instrument groupings, or with either or both of the other instrument voices. This collection is suitable for students with reading skills comparable to those completing the Adventures in Music Reading Book 3 by William Starr. The music presents challenges in rhythm, tonality (various keys), and musical expression and also serves as a music appreciation course, inspiring the student to want to hear the entire piece. William Starr has drawn the contents from various sources, including oratorio, opera, piano, and organ.
DescriptionThe first comprehensive source for keyboard grooves, complete with transcriptions and tips on loop construction! Dance, Funk, Jazz, Latin, Reggae, R&B, and Rock ´n´ Roll Grooves All Loops Fully Scored Fully Compatible with All Samplers and Recording Software Can Serve as a sample library or a Style Manual for keyboardists who want to learn new patterns Musicians Institute Press is the official series of Southern California´s renowned music school, Musicians Institute. MI instructors, some of the finest musicians in the world, share their vast knowledge and experience with you no matter what your current level. Private Lessons - tackle a variety of topics one-on-one with MI faculty instructors
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.